the-impression-of-our-arteries-main | 3d art and animation

the-impression-of-our-arteries-main

: from the web site

: Our masterpieces on my fridge

: Our masterpieces on my fridge

: theatre – google images

: costumes – google images

: masks – google images

: from National Gallery of Australia website

: Brooke Amy Dowsett, Lithgow High School

: Mixed media on board

: Francis and Mrs Ward

: Portrait of British artist Francis Bacon

: Rebecca Melville, St Ives School

: Labyrinth: A Journal of an Ill-Fated life

: Communion

: Rachel Power, Cheltenham Girls High School

: “A woman is like a tea bag – you never know how strong she is until she gets in hot water” Eleanor Rooseveil

: Ad Infinitum

: The rebirth of native Australian flora

: Kassandra Cottee, St Columba’s High School

: Vestigia Vitae (Traces of Life)

: Jack Pixley, St Joseph’s College

: The theme of traces and marks that people and objects leave behind

: Emma Ruth Donaldson, Abbotsleigh

: Johnny’s Place: Man of the Pilliga

: Johnny Grosser: the impressions that people leave behind.

: NIKON-WALKLEY PRESS PHOTOGRAPHER OF THE YEAR 2013 – KATE GERAGHTY

: capsule hotel japan

: alien temple

: yeshiva estate

: Artist : Tom Roberts (Australia, b.1856, d.1931) Title : Bailed up Date : 1895, 1927 Medium Description: oil on canvas Dimensions : Credit Line : Purchased 1933 Image Credit Line : Accession Number : 833

: Packing Room Winner

: Sulman Winner

: Wynne Winner

: Trustees Watercolour Winner

: Archibald Winner

: Empty Stockings: Full of Love, 2010, by Katthy Cavaliere. Photo: Mona/Remi Chauvin

: Brown Paper, 2001, by Katthy Cavaliere. Photo: Mona/Remi Chauvin

: https://www.artsy.net/show/mass-moca-francesco-clemente-encampment

: Plate pole prop 1969 1983 Richard Serra United States of America 02 Nov 1939 –

: Forever 2003 Ai Weiwei China 1957 –

: Untitled 1975 Donald Judd United States of America 03 Jun 1928 – 12 Feb 1994

: Queensland Art Gallery Gallery 5 Moving Pictures installation view

: Queensland Art Gallery Gallery 5 Moving Pictures installation view

: Anthony McCall’s sensory projections of light Crossing 2016.

: HUGHES, Natalya Two sisters2006

: Tomás Saraceno’s Biospheres

: Richard Long ‘Ring of Stones’

: Judy Watson’tow row

: Huang Yong Ping’s monumental skeletal serpent

: Olafur Eliasson The cubic structural evolution project 2004

: Ron Mueck’s oversized woman In bed 2005

: Carsten Höller spiralling slide

: Kohei Nawa’s sculpture PixCell Double Deer #4

: Hrafnhildur Arnardóttir’s Nervescape V. The flourescent synthetic hair installation

: ‘we miss you magic land!’ Pip & Pop Installation view

: Sophie Bottomless ‘closer’ 2017 Resin, silicone, pigment, synthetic hair & aluminium rod

: Mona Ryder ‘Still’ 2017 Wooden crutches & synthetic hair

: Lin Yan ‘Sky 2’

: Li Qiang ‘ Ocean’

: Feng Mengbo’s ‘Not Too Late’ video installation

: Wu Chi-Tsung ‘Crystal City’

: Nick Dong at Mercury Twenty Force of Gravity

: Tang Nannan ‘Millennium Waves’

: Hu Liu ‘Grass’

: Kung Wen-Yi and Ko Yu-Cheng ‘Water Drops’

: Yang Mushi ‘Grinding’

: the floor, heading up the steps

: Gina McKeon

: Craig McCosker

: Lis Bastian

: Sheree Joseph

: Jane Théau ‘The Impossibility of Infinite Growth’

: Mark Brown ‘Hull Loss VH-XXW’

: Meredith Peach ‘Fluid Dynamics’

: Chris Bowman ‘Notation 10 – disturbance / statis

: Michael Keighery ‘The Dead Man’s Penny’

: Wade Marynowsky ‘Black Casino’

: Allan Giddy ‘Absence and Presence, Part 1’

: Mark Booth ‘Woodland’

: Akira Kamada ‘Fragile’

: Rachel Walls ‘Pomegranate’

: Mark Booth ‘ Munitions No2’

: Gary Deirmendjian ‘roman stack – dialogue’

: Ken and Julia Yonetani ‘Kristallnacht’

: Louisa Dawson ‘Mobile Obsolescence’

: Judith Duquemin ‘Schism #5’ on wall. John Gillies ‘In the Air’

: Jane Théau ‘Untitled’?

: Daniel Mudie Cunningham ‘Oh Industry’

: Claire Healy and Sean Cordeiro

: Claire Healy and Sean Cordeiro ‘Milk’, ‘Butter’, ‘Cheese’

: Locust Jones ‘Summermurderer’

: Volume Visualisation Under the Dome. Australian National University, University of Western Sydney

: Terror Ant

: Ear Bone of Fossil Whale

: Rabbit Liver

: Mt Gambier Limestone

: Reticulate (Rock)

: Walter Eliza Hall Institute of Medical Research

: Alexa Hohenberg listening to the audio being recorded for VR https://www.stillstoked.com/

: Meet Jaunt One https://www.jauntvr.com/jaunt-one/ and https://www.staplesvr.com/rentals-sales.

: Elissa Harris

: DP130155, 2/7/06, 11:18 AM, 16C, 6856×8852 (180+693), 100%, Rona Copywork, 1/30 s, R93.8, G57.6, B56.4 Working Title/Artist: The Great Wave at Kanagawa (from a Series of Thirty-Six Views of Mount Fuji)Department: Asian ArtCulture/Period/Location: HB/TOA Date Code: 10Working Date: 1831-33 photography by mma, Digital File DP130155.tif retouched by film and media (jnc) 8_17_11

: https://www.visitfrankston.com/whats-on/event/745664-stephen-haley-out-of-place

: http://www.bendigoartgallery.com.au/Exhibitions/Past_Exhibitions/2011_Exhibition_Archive/Here_is_There_Stephen_Haley

: http://www.art-almanac.com.au/stephen-haley-somewhere-about-now/

: Inspired by the autumn colours found on the side of a mountain outside Seoul.

: The vivid colours of the skirt represent the joyful aspects of the spirit in contrast to the black and white bodice which represents the conservative conditions we undergo in the fickle dictates of fashion.

: Fiona McMonagle ‘The Ring’

: http://www.sellersartprize.com.au/artists-and-exhibition/2014/shortlisted-artists/fiona-mcmonagle/

: http://tonyalbert.com.au/exhibition-3/

: Tony Albert ‘Once Upon a Time’

: Second Prize Peta Hinton ‘Seep’ Acrylic on Paper, Mounted on Scroll: Calico, Paper, Wood 103(H) x 91(W)cm

: Highly Commended Tim Allen ‘Apsley Gorge’ Ink, Gouache, Pastel and Charcoal on Paper 95(H) x 79(W)cm

: Highly Commended Trevor Armitage ‘Cabins, Mt Taranaki, NZ’ Oil on Plywood 33(H) x 43(W)cm

: Mak, Lynne Title: ‘Mount Morgan’ Medium: Ink and Acrylic Size: 100 x 93

: Jin, Younghwa Title: ‘Blackheath’ Medium: Watercolour on Paper Size: 60 x 80

: Suzuki, Moritaka Title: ‘Still Life with Porcelain Vase’ Medium: Oil on Aluminium Panel Size: 14 x 21

: Hagiwara, Junko Title: ‘Millers Point, Sydney’ Medium: Watercolour Size: 80 x 100

: Miller, Paul Title: ‘Twilight Lane in Bowral’ Medium: Oil Pastel on Paper Size: 36 x 81

: Fyfe, Keith Title: ‘Past – Present – Future’ Medium: Mixed Media Paintings in Plastic Slide Mounts Size: 50 x 56

: ‘Warships in a Heavy Storm’ Ludolf Bakhuysen, c. 1695

: ‘View of a Village on a River’ Jan van Goyen 1645

: ‘Woman Reading a Letter’ Johannes Vermeer

: ‘The Denial of St Peter’ Rembrandt van Rijn 1660

: ‘Still Life with Flowers on a Marble Tabletop’ Rachel Ruysch 1716

: ‘Still Life with Flowers in a Glass Vase’ Jan Davids. de Heem 1650-1683

: ‘Self Portrait as the Apostle Paul’ Rembrandt van Rijn, 1661

: ‘Man in Oriental Dress’ Rembrandt van Rijn 1635

: ‘The Three Crosses’, Rembrandt van Rijn, 1653

: fun making flowers at the art gallery

: Identifying waterbirds at Sydney Park

: Checking nest boxes for wildlife. Photo credit: Discovery Circle

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: Patriotic Cultural Association in Korea (사)호국문화진흥위원회

: above ca. 1953. John F. Kennedy first met Jacqueline Lee Bouvier at a dinner party in 1951 and later in Washington, D.C., when she was working as a photographer for the Washington Times-Herald newspaper. Their courtship continued though 1953, some of it captured by the press and popular magazines of the day, such as Life magazine’s story of July 20, 1953, featuring an engaging cover photo of the young couple on a sailboat cutting through the Atlantic Ocean surf off Cape Cod with the headline: “Senator Kennedy Goes A-Courting.” Photo, booth picture

: Waiting for election results, Hyannis Port, Massachusetts, November 9, 1960 Photographer, Jacques Lowe

: Unfortunately there is the reflection of the room, thought it was interesting. A sixteen-year-old Bill Clinton meets the President in the White House rose garden, July 24, 1963, Washington, D. C, Photographer, Arnold Sachs.

: A modern Noah’s Ark. More interesting and thought-provoking Chinese art

: Peng Hung-Chih, The Deluge – Noah’s Ark, 2011, 3D prints, 180 x 800 x 180cm

: Plein Air 2018

: First Apple Computer

: Enigma Cipher Machine

: https://www.artgallery.nsw.gov.au/exhibitions/chinese-bible/

: https://outragemag.com/novy-bereber-dancing-from-the-heart/

: Novy Bereber – Dancer & Performer

: https://www.instagram.com/nbereber/?hl=en

: https://www.mca.com.au/artists-works/works/2016.7/

: https://www.mca.com.au/artists-works/works/2017.36/

: https://www.mca.com.au/artists-works/works/2016.28/

: https://www.mca.com.au/artists-works/works/2012.40/

: https://www.mca.com.au/artists-works/works/2014.70/

: https://www.mca.com.au/artists-works/works/1995.76A-U/

: https://www.mca.com.au/artists-works/works/1993.255/

: https://www.mca.com.au/artists-works/works/2017.36/

: https://www.mca.com.au/artists-works/works/2015.24/

: https://www.mca.com.au/artists-works/works/1995.76A-U/

: Janet Kossy

: https://www.popmatters.com/yeon-sik-hong-s-ummas-table-2645449729.html?rebelltitem=1#rebelltitem1

: Comedian Harry Jun and TV chef Heather Jeong

: Book Club Event

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