Some ideas for my venture into photography, not sure where or how to start. There is so much information available, fantastic photographers so where do I start, the camera, the shot, technical information or get out there and have a go. Maybe a theme: getting from A to B such as stuck in traffic, walking, driving, on a train, in transit. How do I choose, what do I choose, it is all too familiar, how do I make a photo, isolate something, what is it going to say, what do I want to say, how will I frame it, what is in focus, what is the exposure, day or night, what will be in the frame and so much more. Maybe something abstract like I read in a magazine, hiding around corners, pressed against walls, peering down from bridges now this sounds interesting and exciting.
My first experiments:
Highlighting Women in Photojournalism
In 1973, Sara Krulwich visited 29 newspapers, looking for a job after graduating from the University of Michigan. She met with male photo editors who mostly scoffed at the idea of a woman as a news photographer. One editor, she said, told her that hiring a woman was like “hiring half a person.”
COLLECTION OF NOTES
This year we presented the wonderful work by finalists of the Head On Portrait Prize AND the Head On Landscape Prize at State Art Gallery of Hyderabad as part of the Indian Photogrpahy Festival.
24 HOUR PROJECT Documenting Humanity to make a Difference, photographers share the human condition of their own city in one single day.
COLLEGE PHOTOGRAPHER of the YEAR CPOY’s greatest value is educational: it encourages photographers to sort through and evaluate their own work and assemble the best of it to show, both to peers and to the working professionals who donate their time to judge the contest.
Chris Bray Photography http://chrisbrayphotography.com
- We seek out the world’s most extraordinary wildlife, landscape and cultural experiences bring small groups there in comfort, providing unique access away from the crowds with exclusive charter of ships, aircraft, vehicles and remote lodges for not only the most incredible, unhurried photography opportunities on Earth, but also an amazing holiday.
- Free Course Videos Complete course by award-winning Australian Geographic photographer Chris Bray. Ten easy-to-understand episodes with plenty of examples from basic setup and composition, to aperture, shutter speed, exposure, ISO, lighting, lenses, histograms, white balance and more!
- Shutter speed explained
- Free Portrait Lighting Guide
- Night photography settings your camera wants you to use
- Night Photography Tips: 9 essential steps for beginners
- RAW Versus JPG – Why You Might Want to Shoot in RAW Format
- Digital Camera Modes
- What is ISO?
- Introduction to Aperture in Digital Photography
- Introduction to Shutter Speed in Digital Photography
- 6 Ways to Use Shutter Speed Creatively
- How to Shoot Light Trails
- 5 Photo Essay Tips A Post By: Christina N Dickson
- 13 Places Take Beautiful Motion Blur Shots
- New photographer’s guide to the blue hour
Exposure Guide: Photography Blog with Photography News, Tips & Tutorials
THE FOX DARKROOM & Gallery is a Melbourne darkroom for hire and exhibition space. It promotes and celebrates photography through hands-on workshops and by exhibiting work from emerging and established artists.
HOW TO USE DIGITAL ART TO ENHANCE YOUR PHOTOGRAPHY – If I had to describe briefly my passion for photography, I’d discard the word passion because what I really feel about this art, is admiration. The condition that makes photography so unique is its ability to communicate. I am not talking about communicating facts, events, any of that; the kind of communication I’ve discovered seven years ago was the message of emotion, sensation and feeling.
PICTURES of the YEAR INTERNATIONAL POYi began as a photographic contest in the spring of 1944 in Columbia, Missouri, when the Missouri School of Journalism sponsored its “First Annual Fifty-Print Exhibition” contest. Its stated purpose was, “to pay tribute to those press photographers and newspapers which, despite tremendous war-time difficulties, are doing a splendid job; to provide an opportunity for photographers of the nation to meet in open competition; and to compile and preserve…a collection of the best in current, home-front press pictures.”
In the Allport Library and Museum of Fine Arts in Hobart – Morton Allport, possibly environmental photography in Australia. Allport’s ‘Excursion to Lake St Clair February 1863 album’, a phonebook with text and images. https://stors.tas.gov.au/AUTA001126254101
Mark Rogers is known for his innate ability to distil the essence of a story or character into a singular image. His portraits are defined by an ease and directness that balance intimacy with presence and feeling. It is this approach that has secured him over the past two decades work with prominent clients and a regular spot as a finalist in The Head On Portrait Prize, National Portrait Prize, Moran Photographic Prize and Olive Cotton Award.
Mark recently took some time off the set of the upcoming movie ‘Peter Rabbit’ where he is working as the stills photographer to talk about his approach to portraiture and what it is like working on set.
“The personality, the presence and the approach of the photographer are somehow written in the portrait. For me, it’s a process of manufacturing spontaneity. With people, particularly celebrities, who have been photographed a lot, there is always a tension between them performing a portrait and finding an intimacy together where this mask may drop.”
Mark is always thoroughly prepared before his subject arrives so he is ready and relaxed when he takes the first picture. “Setting the lighting with an assistant sitting in, preparing the backdrop and props, using music for the right atmosphere – whether calm or energetic, so that I am happy with the image and can then concentrate on breathing the life of the subject into it. Then it [the process] can become a direct relationship with my subject, where we are both relaxed and spontaneity can occur.”
Being prepared is equally important on set where ‘action’ is repeated over multiple takes and the actors are different each time. “Magic only ever occurs fleetingly. Often the best portraits of actors are between scenes when they bring the character and performance we need for a powerful shot.”
Jarrad Seng is a creative based in Western Australia who now travels around the world with musicians and taking pictures. He has worked with UK bands and artists such as Passenger and Ed Sheeran and his client list includes Converse, Qantas and many tourism agencies around the world. Jarrad is not your traditional landscape photographer and it is his unique approach that has won him an online fanbase of over 300,000 people.
We asked Jarrad to share some words of wisdom with us on how he approaches photography, not the technical stuff but more on his attitude to photography. This is what he had to say.
“I’ll preface these words by conceding that I don’t consider myself a landscape photographer, at least not in the traditional sense. In fact, you’ll be hard pressed to find many images of mine which don’t feature some sort of human element or other subject of interest. That said, I think all photography techniques and attitudes can (and should be) be applied across all genres.”
Ask yourself, what makes this photo interesting?
“Sounds obvious, but I sometimes question whether many photographers ask themselves this question while they’re shooting. Often we can get into a routine when we’re working on autopilot, and not really thinking critically about the image we’re creating. What’s the point of interest? What is unique about this photo? Should I add a human element to add scale or personality to the photograph? Should I play with unconventional angles or shutter speeds to challenge the traditional view of the scene? Let’s be honest, landscape photography can be amongst the boring images cluttering social media – don’t add to the noise!”
“Short and sweet. Straighten those horizons. Wonky lines are the first thing I’ll notice about a photograph, and it’ll taint the whole image. So unless you have a deliberate reason for not doing so… get those horizons level!”
“It’s cliche, but it’s true. If the image you’re capturing seems like a piece of cake, it probably means that thousands of other photographers have stood in the same spot and taken the same shot too. I mean, anyone can walk a few metres from the carpark to a viewing point, or follow a herd of tourists to the ‘classic’ spot. But how many are willing to hike up a mountain to gain a fresh angle? Or drive into the wilderness at midnight for the clearest night skies? Or hang out of an open plane window? The greater the risk and the greater the effort, the greater the reward. Of course, you also run the chance of not getting a shot at all, if you don’t play it safe. But that’s all part of the fun, isn’t it?
The Secret To Understanding F-Stops For Creative Photography
500px Basic Portrait Lighting Tutorial
Exclusive to Nikon cameras, the NEF is Nikon’s RAW file format. RAW image files, sometimes referred to as digital negatives, contain all the image information captured by the camera’s sensor, along with the image’s metadata (the camera’s identification and its settings, the lens used and other information). The NEF file is written to the memory card in either an uncompressed or “lossless” compressed form.
The primary benefit of writing images to the memory card in NEF format rather than TIFF or JPEG is that no in-camera processing for white balance, hue, tone and sharpening are applied to the NEF file; rather, those values are retained as instruction sets included in the file. You can change the instruction set as many times as you like without ever disturbing the original image’s RAW data. Another benefit of the NEF file is that depending on the camera, it retains 12-bit or 14-bit data, resulting in an image with a far greater tonal range than an eight-bit JPEG or TIFF file.
After-capture processing of the NEF file by Nikon’s Capture NX2 software, or other imaging programs, offers greater control over the final image than the processing of a JPEG or a TIFF. After processing, the NEF file can be saved as a TIFF, JPEG or again as a NEF with the addition of any applied Capture NX2 processing saved inside the file as a second or alternate instruction set. As long as the original NEF file is preserved, the “digital negative” remains untouched; processing a NEF file does not alter the original instruction set.
Nikon calls images saved in the RAW format “NEF” files. Nikon RAW NEF files can be edited in Nikon View Editor, PictureProject, Nikon Capture Editor and Nikon Adobe Photoshop plug-in.
This unique format consists of the RAW data of an image, along with an instruction set that provides extensive image editing capability not available with other file formats. With a NEF file, the original RAW data of an image is never changed. All corrections and adjustments that you make are preserved in the file’s instruction set. You can change the instruction set as many times as you like without ever disturbing the original image’s RAW data. Using the software listed above you can change the shooting White Balance, adjust Exposure Compensation as well as basic color, sharpening and levels controls.
Current Nikon DSLR cameras, including the D3-series, D2-series, D700, D300(S), D200, D100, D7000, D5000, D3100, D3000, D90, D80, D70s, D70, D60, D50, D40X, D40, all support the NEF RAW file format. All future Nikon Digital SLR cameras will support the NEF RAW file, and some Coolpix cameras will as well.
Many users think of their NEF files as their original digital “negative” which they then make changes to and save the changed files as TIFF (or JPEG) for printing.
Mircea Albutiu http://www.mirceaalbutiu.com
Michael Amendola http://www.michaelamendolia.com
Jim Anderson http://www.jimanderson.com.au
Among Atem http://www.atongatem.com
Elizabeth Avedon http://elizabethavedon.blogspot.com.au
Stacey Baker https://www.photoawards.com/stacey-baker-2/
Roger Ballen https://www.rogerballen.com
Nicola Bernardi http://www.nicolabernardi.com
Chris Bray http://chrisbrayphotography.com
Jan Breckwoldt https://500px.com/janbreckwoldt
Alicia Brodowicz http://alicjabrodowicz.com
Sally Brownhill http://sallybrownbill.com
Paula Broom https://www.instagram.com/paulabroom/
Brian Cassey http://www.briancasseyphotographer.com
Robert Catto https://www.robertcatto.com
Giles Clarke http://www.gilesnclarke.com
Michael Robinson Chávez http://photowings.org/michael-robinson-chavez-biography/
Michael Coyne http://www.michaelcoyne.com.au
Virginia Cummins http://www.virginiacummins.com
James Whitlow Delano http://www.jameswhitlowdelano.com
Peter De Vries http://www.pieterdevries.com.au
Erika. Diettes. http://www.erikadiettes.com
Douwe Dijkstra https://www.instagram.com/monochromevisions/?hl=en
Bill Dimas http://tristanstefanedouard.com.au/tag/bill-dimas/
John Dobson http://www.johndobson.com.au
Natan Dvir http://natandvir.com
Sandy Edwards http://www.australianphotographers.org/artists/sandy-edwards
Samantha Everton http://samanthaeverton.com
Elizabeth Fortescue http://www.artwriter.com.au/about/
Alasdair Foster http://flakphoto.com/profile/alasdair-foster
Murray Fredericks http://www.murrayfredericks.com.au
Johanna-Maria Fritz http://www.johannamariafritz.de/About
Christopher Getts https://www.photographers.com.au/httpwwwfacebookcomcgettsphotography
Alessia Glaviano https://www.lensculture.com/alessia-glaviano
Craig Golding http://www.craiggoldingphotos.com/index
Simon Harsent http://www.simonharsent.com
Ron Haviv http://www.ronhaviv.com
Sophia Howarth http://www.sophiehowarthphotography.com
Nadia Janis https://www.instagram.com/nadiajanisz/
Quentin Jones http://www.jonesphoto.com.au/biocontact.html
Marko Kokic http://www.reportagebygettyimages.com/features/the-caucasus-a-place-seldom-seen/
Grzegorz Kosmala http://urbanphotoawards.com/grzegorz-kosmala/
Teru Kuwayama. http://terukuwayama.com
Cristian Laemmle-Ruff https://www.kristianlaemmleruff.com
Megan Lewis http://www.meganlewis.com.au
Geoffrey Liau http://www.geoffreyliauphotography.com
Dina Litovsky https://www.instagram.com/dina_litovsky/?hl=en
Glen Lockitch https://glennlockitchphotography.net
Katharine Lotze https://app.blink.la/u/katsnapspix, http://katharinelotze.com
Paul McDonald http://twtstleonards.com.au/news/global-photographer-paul-mcdonald-brings-australias-captivating-photographers-st-leonards
Graham MacIndoe https://www.grahammacindoe.com
Eleanor Macnair https://www.instagram.com/eleanormacnair/?hl=en
Robert McFarlane http://www.robertmcfarlanephotos.com/about.html
Dan Macintosh http://www.abc.net.au/news/2014-09-27/landline_-dan-mcintosh/5771692
Sue Mcarthur https://www.theloop.com.au/suemcarthurphotography/portfolio
Younes Mohammad http://www.younesagha.com/bio
Richard Morecroft http://www.richardmorecroft.com/photos2.html
Christopher Mueller http://www.nebuliarts.com/christoph-mueller/
Yaniv Nadav http://www.yanivnadav.com
Matthew Newton http://www.matthewnewton.com.au
Luke O’Brien http://www.lukeobrien.com.au/about-luke
Peter Powditch http://www.rayhughesgallery.com/contemporary-australian/peter-powditch
Zodiac Purlija http://www.zoricapurlija.com.au/Artist.asp?ArtistID=32593&Akey=A2QTAD5R&ajx=1
Claudio Rasano. http://www.rasano.com
Evan Richards http://www.evanrichards.com
Eugene Richards https://eugenerichards.com
Clair Rosen http://www.clairerosenphoto.com
Moshe Rosenzveig http://www.4dphotography.com.au
Alessandro Rota http://alessandrorota.photoshelter.com/about
Paul Rovere http://www.smh.com.au/photogallery/national/the-best-by-age-photographer-paul-rovere-20121001-26v5v.html
David Rubinger https://www.theguardian.com/artanddesign/gallery/2017/mar/03/david-rubinger-photojournalist-israel-in-pictures
Steve Rushworth https://www.foap.com/users/steven.rushworth
Robin Schwartz http://robinschwartz.net
Ben Scott http://www.photographlive.com
Lesley Sebastian http://lessysebastian.wixsite.com/lessy-sebastian
Glenn Sloggett http://www.glennsloggett.com
Friso Spoelstra. http://www.frisospoelstra.com/index
Maggie Steber http://www.maggiesteber.com/main.html
Kris Stenders https://www.screenaustralia.gov.au/the-screen-guide/p/kriv-stenders/20881#ccTall
Frédéric Stuchin http://www.fredericstucin.com
North Sullivan http://www.northsullivan.com/#/
Lawrence Sumulong http://www.lawrencesumulong.com
Tbilisi – has a thriving photographic scene.
Julian Thomas https://www.instagram.com/_julianthomas/
Amy Toensing http://www.amytoensing.com An American photojournalist committed to telling stories with sensitivity and depth, is known for her intimate essays about the lives of ordinary people.
Rob Tuckwell http://robtuckwell.com.au
Astrid Verhoef https://www.lensculture.com/astrid
Dougie Wallace http://www.dougiewallace.com
Nicole Wells http://www.nicolewells.com.au/about
Annette Widitz http://annettewiditz.tumblr.com
William Yang http://www.stillsgallery.com.au/artists/yang/
Tom Williams http://www.tomwilliamsphotos.com
Kyla Woods https://www.theloop.com.au/kylawoods/portfolio/Journalist/Sydney
Daniella Zalcaman http://www.dan.iella.net