David_Fairbairn_-Portrait-of-G.E.No5_Copper-Etching-Drypoint-on-Hahnemuhle-350gsm_36x30cm_2014-15-IMG_2911-610×740
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- from the web site
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- Our masterpieces on my fridge
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- Our masterpieces on my fridge
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- theatre – google images
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- costumes – google images
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- masks – google images
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- from National Gallery of Australia website
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- Brooke Amy Dowsett, Lithgow High School
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- Mixed media on board
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- Francis and Mrs Ward
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- Portrait of British artist Francis Bacon
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- Rebecca Melville, St Ives School
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- Labyrinth: A Journal of an Ill-Fated life
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- Communion
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- Rachel Power, Cheltenham Girls High School
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- “A woman is like a tea bag – you never know how strong she is until she gets in hot water” Eleanor Rooseveil
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- Ad Infinitum
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- The rebirth of native Australian flora
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- Kassandra Cottee, St Columba’s High School
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- Vestigia Vitae (Traces of Life)
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- Jack Pixley, St Joseph’s College
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- The theme of traces and marks that people and objects leave behind
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- Emma Ruth Donaldson, Abbotsleigh
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- Johnny’s Place: Man of the Pilliga
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- Johnny Grosser: the impressions that people leave behind.
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- NIKON-WALKLEY PRESS PHOTOGRAPHER OF THE YEAR 2013 – KATE GERAGHTY
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- capsule hotel japan
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- alien temple
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- yeshiva estate
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- Artist : Tom Roberts (Australia, b.1856, d.1931) Title : Bailed up Date : 1895, 1927 Medium Description: oil on canvas Dimensions : Credit Line : Purchased 1933 Image Credit Line : Accession Number : 833
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- Packing Room Winner
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- Sulman Winner
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- Wynne Winner
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- Trustees Watercolour Winner
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- Archibald Winner
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- Empty Stockings: Full of Love, 2010, by Katthy Cavaliere. Photo: Mona/Remi Chauvin
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- Brown Paper, 2001, by Katthy Cavaliere. Photo: Mona/Remi Chauvin
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- https://www.artsy.net/show/mass-moca-francesco-clemente-encampment
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- Plate pole prop 1969 1983 Richard Serra United States of America 02 Nov 1939 –
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- Forever 2003 Ai Weiwei China 1957 –
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- Untitled 1975 Donald Judd United States of America 03 Jun 1928 – 12 Feb 1994
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- Queensland Art Gallery Gallery 5 Moving Pictures installation view
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- Queensland Art Gallery Gallery 5 Moving Pictures installation view
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- Anthony McCall’s sensory projections of light Crossing 2016.
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- HUGHES, Natalya Two sisters2006
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- Tomás Saraceno’s Biospheres
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- Richard Long ‘Ring of Stones’
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- Judy Watson’tow row
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- Huang Yong Ping’s monumental skeletal serpent
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- Olafur Eliasson The cubic structural evolution project 2004
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- Ron Mueck’s oversized woman In bed 2005
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- Carsten Höller spiralling slide
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- Kohei Nawa’s sculpture PixCell Double Deer #4
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- Hrafnhildur Arnardóttir’s Nervescape V. The flourescent synthetic hair installation
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- ‘we miss you magic land!’ Pip & Pop Installation view
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- Sophie Bottomless ‘closer’ 2017 Resin, silicone, pigment, synthetic hair & aluminium rod
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- Mona Ryder ‘Still’ 2017 Wooden crutches & synthetic hair
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- Lin Yan ‘Sky 2’
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- Li Qiang ‘ Ocean’
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- Feng Mengbo’s ‘Not Too Late’ video installation
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- Wu Chi-Tsung ‘Crystal City’
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- Nick Dong at Mercury Twenty Force of Gravity
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- Tang Nannan ‘Millennium Waves’
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- Hu Liu ‘Grass’
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- Kung Wen-Yi and Ko Yu-Cheng ‘Water Drops’
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- Yang Mushi ‘Grinding’
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- the floor, heading up the steps
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- Gina McKeon
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- Craig McCosker
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- Lis Bastian
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- Sheree Joseph
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- Jane Théau ‘The Impossibility of Infinite Growth’
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- Mark Brown ‘Hull Loss VH-XXW’
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- Meredith Peach ‘Fluid Dynamics’
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- Chris Bowman ‘Notation 10 – disturbance / statis
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- Michael Keighery ‘The Dead Man’s Penny’
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- Wade Marynowsky ‘Black Casino’
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- Allan Giddy ‘Absence and Presence, Part 1’
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- Mark Booth ‘Woodland’
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- Akira Kamada ‘Fragile’
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- Rachel Walls ‘Pomegranate’
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- Mark Booth ‘ Munitions No2’
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- Gary Deirmendjian ‘roman stack – dialogue’
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- Ken and Julia Yonetani ‘Kristallnacht’
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- Louisa Dawson ‘Mobile Obsolescence’
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- Judith Duquemin ‘Schism #5’ on wall. John Gillies ‘In the Air’
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- Jane Théau ‘Untitled’?
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- Daniel Mudie Cunningham ‘Oh Industry’
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- Claire Healy and Sean Cordeiro
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- Claire Healy and Sean Cordeiro ‘Milk’, ‘Butter’, ‘Cheese’
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- Locust Jones ‘Summermurderer’
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- Volume Visualisation Under the Dome. Australian National University, University of Western Sydney
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- Terror Ant
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- Ear Bone of Fossil Whale